๐ŸŒฟ๐ŸŒฟLANDSCAPES, INTERIORS, STILL LIFES by Helen Berggruen Fine Artist ๐ŸŒฟ๐ŸŒฟ

 



Image: Helen Berggruen, Between Two Worlds, 2020, 

Oil on linen, 22” x 28"

Helen Berggruen cordially invites you to her exhibiton

BETWEEN TWO WORLDS

An exhibition of oil paintings and new watercolors by Helen Berggruen

Saturday, May 7th – Sunday, July 24th, 2022

Opening Reception: Friday, May 6th, 5 – 8 pm

Demuth Museum

120 East King Street

Lancaster, PA

Demuth Foundation a nonprofit organization operating

two art museums in downtown Lancaster, PA.




More information about the venue

https://www.facebook.com/demuthmuseum/

https://www.instagram.com/demuthfoundation/

https://www.facebook.com/LancasterMuseumofArt/

Helen Berggruen was born in San Francisco, CA in 1945. She received her 

B.A. at Sarah Lawrence College, Bronxville New York in 1974. She 

currently resides in San Francisco. Her main themes are:

LANDSCAPES, INTERIORS, STILL LIFES.

Her artworks are like windows to beauty of inner or outer space of her memories, ideas combined with personal experiences, like visual poems of stirring spaces and the spinning energy - the will of creation- the beauty of life itself depicted by fresh brushstrokes and warm colors.

Each of her canvases capture the breathing aura of interiors, landscapes, still lifes by vibrant colors, forms, objects. Her innner, outer space variations are energetic vibrations, uplift the viewer and invites to meditate on colors, shapes and dive into, discover the artwork.


BIO by Krevsky Fine Art

"Helen Berggruen was born in San Francisco in 1945. She earned her bachelor’s degree in 1967 from Sarah Lawrence College, where a good friend was novelist Alice Walker (class of ‘65). Berggruen is quoted in the biography Alice Walker: A Life by Evelyn C. White (2004), discussing a summer when she and Walker worked with the rural poor in Alabama. Berggruen credits their friendship with developing her strong social consciousness.

The artist’s original passion was the theater. From 1971 to 1974, she studied with director Robert Wilson’s “Byrd Hoffman School of Byrds,” an experimental performance group in New York.

Helen also painted. Her talents led many – including her father, Heinz, the renowned art dealer and collector – to encourage her to pursue art seriously. Helen followed this advice and shifted her direction. By the late 1970s, she was a fully committed visual artist. Through the ensuing decades, Helen has been painting and exhibiting in the United States and Europe. She currently lives in the Napa Valley, and also spends part of each year in Iowa, with both regions providing inspiration."

https://krevskyfineart.com/

About Heinz Berggruen:

Heinz Berggruen (6 January 1914 – 23 February 2007) was a German art dealer and collector who sold 165 works of art to the German federal government to form the core of the Berggruen Museum in Berlin, Germany.



German art dealer Heinz Berggruen and Pierre Hugo 

Paris 1980's

๐ŸŒป ๐ŸŒž

Source:

Ateliers Hugo (@ateliershugo) 

๐ŸŒž๐ŸŒž๐Ÿ™๐Ÿ™๐ŸŒธ๐ŸŒธ Museum Berggruen curates future amidst State Museum Berlin's restructuring, 2021, Berlin, Germany ๐ŸŒž๐ŸŒž๐Ÿ™๐Ÿ™๐ŸŒธ๐ŸŒธ (krisztinaasztalos.blogspot.com)





INTERIORS by Helen Berggruen

Mantel, Callalillies, Clock

2013

Oil on canvas

22 x 28"

More information about Helen Berggruen

https://youtu.be/qnC8PB84oI8

https://youtu.be/3XJ7RMQy9bU

https://de.wikipedia.org/wiki/Helen_Berggruen?msclkid=dc0bbe6ac3bb11ecab770d0fd36e038e

https://www.christies.com/features/Helen-Berggruen-Time-and-Tempo-Exhibition-at-South-Kensington-6523-1.aspx?msclkid=dc0ce25bc3bb11ec8db8eff109669b25

Please Follow Helen Berggruen on Instagram for more beautiful artworks and news:

Helen Berggruen (@helenberggruen)

Personal Thoughts by Helen Berggruen about her art

"As the pace of life in the 21st Century continues to accelerate at breakneck speed, and new electronic devices enable us instantly to tune out our immediate surroundings, directing our attention elsewhere, my ambition has become to slow down in order to observe the land and cityscapes before me.

Rather as a beekeeper in March awaits the special hum indicating the presense of a swarm of bees, I tend to roam with a sketchbook and canvas until I light upon a particular confluence of angles, textures, and objects of contrasting scale.

Once the easel is set up, the objective is to fix an image of the fleeting moment: a blue truck rolling through a new mown hay field, a storm brewing over a late 19th century Midwestern house, a cup of coffee left half empty on the table."

Beyond that moment, in choosing the elements that compose the picture, I seek an essential quality that links grain elevators, tractors, fields of sunflowers, kitchen tables, books, city buildings, to another place, or even another country, sometime in the distant past, or perhaps, the indefinite future."

Helen Berggruen

https://www.helenberggruen.com/













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